Quentin Tarantino's 'Five Keys to Telling An Engaging Story'

In my entry Inspiring Film Makers - Part 2 - Quentin Tarantino I mentioned an article about his 'Five Keys to Telling An Engaging Story', so here they are!

1. Make people care. Think about any Tarantino film. Even if you’ve never watched one, you’ve probably heard of some of his characters. Maybe you’ve heard of Hattori Hanzo from Kill Bill, or maybe you’ve heard of Mr. Pink and Mr. White from Reservoir Dogs. In all of his movies, Tarantino creates characters that make you care, even if that caring surfaces as you really hoping that character gets what’s coming to them. If people are indifferent about your film, they won’t stick around to hear more about it.


How are you making people care about your story? What can they hold on to and tell others about?


2. Interweave lots of stories together. Pulp Fiction is probably the best example of how Tarantino can take the stories of characters from all over the place, fully develop each story, and then majestically bring them all together to form the punchline of the whole story. The audience is always aware of each individual story, but it’s never entirely clear, till the end or the climax (which aren’t always the same in Tarantino films) how it will all pull together.

Is your film cohesive, put together, and clear? Are you wrapping all of your stories together or are there some loose ends? How can you tie them up?

3. Don’t give away the whole story all at once. Just as Tarantino keeps his audience on edge about how all of these individual tales will mesh together, he also waits awhile to reveal details about the story or his characters that end up revealing a great deal about the overall story. For example, we don’t find out till quite late in Pulp Fiction that the time line is completely off. That’s pretty important. We don’t find out till pretty late in Kill Bill what Uma Thurman’s story is. Also very important. This late reveal keeps the audience engaged because they can’t wait to see more of the backstory.

How can you leave some space for your audience to finish your story and make it their own? How can you wait for the big reveal?

4. Every idea is fresh, and every idea is yours. Tarantino excels at creating very different movies. Reservoir Dogs doesn’t really bear much resemblance at all to Inglorious Basterds, which in turn doesn’t really bear much resemblance to Pulp Fiction. However, you can always kind of tell when you’re watching a Tarantino film. His trademark violence, ultra dark humor, and method of storytelling are dead give-aways.

What makes your film YOUR film?

5. Know thy audience. Tarantino is kind of like a stinky cheese. Not everyone likes his work, and in fact some people find it revolting. The people who like Tarantino’s work have very specific reasons for liking it, and they would likely fight you if you called their allegiance stupid. So far, Tarantino has not tried to bring radically different people into his office. He hasn’t approached Disney, for example, nor has he ever tried to do a kid’s film. In fact, I can’t recall many kids even showing up in his movies. He knows his audience, he knows what they want, and he delivers it to them.

Do you know who you’re marketing to? Are you talking to your audience the way you talk or the way they talk? Who is your audience? If you can’t answer this question, the other 4 keys will not work for you. You can’t engage someone you don’t know on some level.

You can find the original article at http://www.margieclayman.com/the-five-keys-to-telling-an-engaging-story-from-quentin-tarantino

Josh